Wolf Tooth Components
CTRL AL DEL for Wolf Tooth Components began when Wolf Tooth came to us to tell the story behind their clipless pedals and the team that made it all happen. The goal was to highlight U.S. manufacturing while showcasing the versatility of the full pedal lineup. We focused our approach on going deep into the manufacturing process, capturing the grit, precision, and resilience behind both the team and the product. We handled it end to end - shoot, edit, color, motion graphics, and sound, delivering a feature short film, four vertical social cuts highlighting individual pedals, and a trailer for the full release.
Triumph Motorcycles
Triumph Heritage x Le Hangar 23 Vintage Motorcycle Shop began as a self-initiated concept rooted in an existing relationship with Elliot, the young and passionate owner of Le Hangar 23. We wanted to follow his process as he transformed a rusty vintage Triumph into a custom desert sled, start to finish. The idea was pitched to Triumph Heritage, who immediately came on board. The goal was to highlight the craft, creativity, and time required to turn an old motorcycle into something entirely new. Shot in a documentary style with a creative, action-driven visual approach, the film focuses on the details and momentum behind the transformation. We handled it end to end - shoot, edit, color, motion graphics, and sound, delivering a feature short film, four vertical social cuts, and a supporting photo package.
Smith
Smith Vert Pivlock was a quick, fast-turn project for Smith, who reached out to make a snappy, sub-30-second ad for a new sunglasses release. The brief was simple: create something unique, and do it in under two days. We leaned into the time crunch, shooting around LA and focusing on cycling sprint efforts for the high-energy moments, paired with slower, more precise product shots for contrast. To keep it from feeling like just another polished cycling edit, we layered in a voiceover to ground the piece in place and perspective. Slow shutter and in-edit effects helped tie transitions together and keep everything moving. We handled the project end to end, delivering a 30-second ad built to feel energetic, efficient, and distinct.
Coastal Collective
From Our Hands to Yours was a passion project created with Coastal Collective, a homegrown DIY surfboard shaper working out of his garage. We teamed up to document his story and the process of building boards by hand, rooted in family, craft, and doing something purely for the love of it. The goal was to highlight the heritage of working with your hands and the joy of making something others can genuinely enjoy. Shot with a blend of documentary storytelling and motion-driven camera movement, the film invites the viewer into a day in the garage and the rhythm of the work. We handled the project end to end. The finished film was an official selection at the 2025 Patagonia Film Festival.
Specialized
Stumpjumper 15 was shot for Specialized. We went out with friend & local pro, Spencer Rathkamp to document a “new bike day.” We charged a few trails, had some laughs, and captured moments as they happened. The goal was to keep it authentic, not an ad or a testimonial, just a guy in his natural habitat genuinely enjoying the evolution of the most iconic bike in mountain biking. We handled the project end to end, delivering a two-minute piece.
Rumpl
Rumpl approached us to produce a mix of photo and video assets around the release of their fireproof blanket, the Flame Puffy. The goal was simple: lean into chaos and deliver an action-packed edit that felt insanely fun. We built the shoot around a real moto camping trip, then added fireworks for good measure as we did need to demonstrate the product was indeed fireproof. Fast camera moves, exaggerated handheld motion, and genuine big smiles allowed us to create this little gem. We handled the project end to end, delivering a 45-second hero piece alongside a supporting photo package.
MAAP
We partner with MAAP to document their official LA rides, something we’re often part of already just for the fun. Being there from the inside lets us capture the energy, people, and in-between moments.
Metrolink
This project for Metrolink began when an agency brought us on to DP a two-day shoot supporting their new brand refresh. The goal was to blend street-style visuals with the energy of busy trains and station platforms. We focused on a handful of hero subjects each day, treating them like street portraits while using extras to create layered movement through the frame. People crossed in front of camera, moments stayed imperfect, and organic vignettes were embraced to keep the visuals feeling lived-in. We handled DP and color, delivering color-graded b-roll stringouts from each day for use across a range of ads throughout the year.
Theresa Nardone
We met with Theresa Nardone at Elysian Park in Los Angeles to reflect on her 2025 season and her experience at the World Triathlon Age-Group Championship in Wollongong. Getting to that level takes serious focus, discipline, and drive. For this shoot, we wanted to capture something a little different. A quieter side of training. The reset before the work starts again. We slowed things down and let the sunset, the stillness above the city, and the environment shape the piece. Less about intensity, more about reflection, presence, and easing into a new season.